Tag Archives: history

In An Anthology

26 Feb

A post I wrote on this blog more than 7 years ago took on a life of its own and first made its way to an online journal. I have the vaguest memory of receiving an email from the editor last year, mentioning it was going to be published in an anthology, to which my very enthusiastic response was:

“Oh, that’s wonderfzzzzzzzzz…..”

And so, when another emailed arrived two weeks ago, saying the book was now out, I had the pleasure of surprise all over again. It could be my family history of Alzheimer’s. Or the fact that I haven’t slept in 15 months. But yes, the anthology of which my piece is a part:

our stories too

 

 

Here is the link to the Amazon page. And here’s what the book is about:

Our Stories, Too is an eclectic collection of personal narratives by women from around the world: America, South Asia, Europe, Africa, and Australia. You will see in these stories how the very ordinary threads of our lives are interwoven with the grand tapestries of world history. We are all, the famous and the unknown, part of the fabric. Gathered from 2013 – 2015 on themes of home, place, belonging, trauma and life change over time, these stories will take you behind the scenes into the lives of thirty three women.

Among my deepest beliefs is that we are made of water, cells, and stories. This, combined with my lifelong interest in gender, makes me honored to be a storyteller among women sharing their histories.

Okay, thank you, byebye! See you next week with Truesday Talezzzzzzzz……………..

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Some Dates More Than Others

10 Sep

Apologies for being AWOL! I’ve been cheating on this blog with other social media and should really enter rehab. Or maybe just post oftener. Which would you prefer? I hope you enjoy reading this straight-from-my-bleeding-heart piece. And come back after you’ve wiped off all the mushy goop! I’ve got more posts lined up as penance.

In the meantime, I’d love to hear from you. What you’ve been up to, the most annoying thing about last week, your biggest accomplishment since I last posted, to tell me that there’s a universe beyond Baby Pooped Today!!!….or simply to say hi? 🙂

~

As teenagers, we would go shopping and she’d rein me in. “No, you cannot buy all seven tee shirts. Choose two.” And I’d grumble that she was my mother all over again.
When I was between degrees and unemployed, I packed up my life in far too many boxes and landed up to share her little room with an eccentric heater in Philadelphia. Freezing Philly winters were no match for this girl’s warmth.
When the Boy and I decided to get married and all hell broke loose, she gave me the confidence that I was doing the right thing. She spent the night before my wedding holding my hand and the morning of shedding quiet tears as I was dressed and made up.
Her hand was on my shoulder as I signed on the dotted line that would legally permit me to torture the man forever.
Her baby is my first baby. Moving away from him was physically painful. Forever a cheerleader for little girls, he taught me how to be mad about baby boys, setting the stage for the full blown Raja Beta Syndrome I now live with.
I informed her I was pregnant using an inside joke we had laughed about since college.

RRV[Credit: Raja Ravi Varma, Lady Holding a Fruit]

I named my son in her honor.
Considerate even as a zygote, she arrived on the planet 10 months ahead of me to vet the place for suitability. “It’s fine,” she yelled, giving me two baby thumbs up, “head on down!”
This girl I met a month shy of 16, I don’t know how I would have lived these past 21 years without her. But thankfully, I don’t have to know. Because we’re going to grow old and crotchety and annoy the eyeroll out of each other across the continents, an Indian in America and an American in India, for that’s how we roll, her and I.
Happy birthday, my J.
I thank the powers that be for September 10th, 1977.

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The Business of Fish

16 Jan

This piece first appeared in the December 2014 issue of India Currents magazine. I’d love to hear your childhood food memories! Share? 🙂

~

Among my earliest childhood memories is a shot of thrill up my spine on hearing a certain raspy, faraway voice calling “Paaplet! Kolmi! Bombil-waleeeaaay!”

That was Moti, our family fisherwoman for three generations, hawking the just-caught contents of her woven basket to a lane of Parsis willing to pay top rupee for their palates. Much hubbub would follow, as someone, typically a domestic or child tall enough to reach the window, was sent to wave her down. “Yete!” she’d screech, with all the decorum of a hurricane ripping through an island, and begin her ascent to our top-floor home, green glass bangles and thumping gait announcing her presence long before she huffingly-pufflingly made it.

Moti smelled of scales and salt and the sea, odors I came to associate with happiness. In a Parsi child’s life, especially one stereotypically expected to manage her own kitchen in adulthood, an education in fish is vital. The lessons of laal pani versus safed pani, and using your finger to scoop under the gills to check for freshness are Fish Purchasing 101 tips. The nose is your savviest instrument, and one as undiscerning as mine is a serious liability. Then there is a banquet of bliss to choose from—all those varieties of fresh and saltwater fish, seasonal and available the whole year through—bangra (mackerel) and raawas (salmon), boi (mullet marine) and boomla (bombay duck), and the thrill of discovering bonus gharab (roe) in one of your chosen future meals.

It is a messy business, the selection of fish. Not for those who aren’t accustomed to ooze and blood and scales. Its parts callously lopped into diagonal chunks, its silver-grey body glistening enticingly, a pre-purchase fish is a thing of beauty. It is here that I realize the staggering power of social conditioning, for a joyous childhood ritual that entails a dead creature’s guts can only be that.  Or perhaps it is a lesson in focusing on the end result: the perfect, well-seasoned accompaniment to a meal of dhandar. H.e.a.v.e.n.

A trusting rapport with your machhiwali is expected to be one of life’s most enduring relationships. And when she moves on to a better place, where crispy-fried boomlas (I’ve mentioned them three times already in 300 words, can you tell they’re a favorite?) are dished hot and fresh by harp-strumming cherubs, you know better than to mess with the line of succession—her daughter or niece will become your supplier. Our Lady of Piscine Perfection is now Moti’s niece Tanuja, who has discarded the colorful nauvaris of her Koli roots and the ginormous beaded nath of Moti’s era, but thankfully, none of the accent or the mannerisms that we almost expect of our fisherwomen.

It is a centuries-old communication, this unique and frequently amusing haggling between housecoat-clad Gujarati speakers and the shrill and shrewd sellers of fish. Odd words fly in Marathi, exclamations peak like stiff egg whites and many an eyebrow does a Prabhu Deva, with flung arms for company. Accusations of looting and starving little children are routinely hurled, as both parties bemoan a time when the catch was fresher, prices cheaper, and their respective communities were pretty much the only inhabitants of Bombay, apart from the Sahibs.

The last time I was in Bombay, I partook of this ritual gladly. From carrying out round thaals (plates) to pile the carefully-selected purchase on, to washing each piece carefully under running water, scrubbing the scales and poking fingers into icky crevices, anointing each piece with flour and salt, rubbing the mixture in, letting it sit 10 minutes, and then washing everything one more time, I was never more closely connected to my bloodline. It came to me easily, though it was the first time I had actually done it from beginning to end. I was a natural, I felt at ease. I had learned my lessons well from years of bearing witness.

Here in America, the process is supremely sanitized. Cleaned, deboned and ready to cook, artfully-arranged slices are put on display, eliminating consumer participation in so many crucial steps of the acquisition process. It reminds me of a time when a friend confessed she hated having a C-Section. “I feel cheated of a natural birth,” she had said, “I know I should be grateful for a healthy delivery, but I can’t help feeling duped.” Oddly enough, this is exactly how I feel walking into my neighborhood Safeway or Chinese supermarket—clinical, disconnected, disappointingly sterile.

I can imagine how hard this must be for vegetarians to comprehend. They are as much products of their socialization as I am of mine, but the human relationship to food is an intimate one, and in a gourmand community like mine, it includes passion, devotion, and obsession. Having incorporated so many elements not quite our own on the long road from religious refugees to a privileged, respected, and still relatively unknown minority, our cuisine and its methods are understandably something we Parsis are immensely proud of. (So if you have considered offering a thoughtless suggestion like “Why don’t you turn vegetarian?” please know we’re already debating how much spice to marinate your brain in for those breakfast cutlets tomorrow.)

From what I’ve learned in my score and 15 years on god’s bounteous earth, it is that life has a way of presenting precisely what you fight. So a fishless future isn’t the worst fate that can befall me.  (I’m so glad you can’t see my dilated pupils and crossed fingers right now.) But I also know that I am the honored carrier of the DNA of a long line of fin fans, and this—both the process and the end result— is one of my life’s joys.

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Reheat, Serve

30 Oct

This past month, I’ve been revisiting definitions of home. Specifically, how my notion of the word itself has changed, from an intensely familiar brick-and-mortar space bearing my history and tales of generations of family, to new lands: both geographical and synaptical, and finally to the person I come home to roost with each day. It’s a fascinating concept, this little word, but I have no bandwidth to say anything new about it presently. So here’s another reheated (read previously-published) piece from India Currents magazine about home, histories, and belonging. What do you think of when you think of home?

~

Three Fates

We sit at a table crowded with spiced, steaming tea cups, a study in diversity. One whose bronzed, gleaming skin carries tales of her ocean-framed ancestors. Another, pale, fair, with whispers of ancient Persia in her veins, and the third, of the same people, her bloodline mapping the landscape of two great nations.

Between us, live roots and displacement. Among us, rock movements and plane rides and boat journeys from 1200 years ago. We are of people who have shifted. Whose sensibilities and histories have shifted. People who once belonged, then belonged again, spun in cycles of precarious identity. Ripped from their homeland by threat, under duress and desire to build a life beyond living.

Around this table covered in cheap formica we sit, the Buddhist from Colombo, the Parsis from Karachi and Bombay, who have known other lands as rank strangers, then intimately, as a secret shared on a one night stand. We congregate our beings around disposable cups of chai and unleash our stories.

Time, it melts away. We jump off a cliff in the 10th century, swing past invasions, conversions, and long bloody, migrations, crash land into civil war and hurried overnight departures, past the smell of burning flesh and singed spirits, yank and sow roots stripped to rawness, touchdown in subcontinental cities where lineage marched to a temporary tune, then continent-hop over to Africa, to North America, the luckiest among us belonging only to two places,  now gathered here in these cities around the Bay, where a microclimate, a microculture, a microuniverse of one can safely exist.

Turning around in unison, we nod to our waiting ancestors. It’s alright, we say, you survived, and then revert to the vapors rising out of our drinks, to punctuate our sagas with a period.

Through the hollows of their eyes, Fate stands silently by, eraser in hand, knowing her day will come again.

 

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Suffering September

11 Sep

This piece appeared under another title in India Currents magazine last Fall. I’m sharing it here, given that recent geo-political developments sadly keep it as relevant as ever.

Apologies for being AWOL. Daily life currently demands huge parts of me and the best I can do is ride the wave.

~

On a crisp September morning, a dozen years ago, I emerged into the sunshine feeling happy and ravenous. Having finished an intense summer at Syracuse University’s famed Newhouse School of Communications, I was easing into the Fall semester, thoroughly enjoying the thrill of learning. Breakfast was on my mind as I walked over to the Schine student center and waited in line for an omelet. Maybe I’ll add hash browns and toast, I was thinking, when an undergraduate student interrupted my thoughts.  “What are they showing on those screens,” she asked, and gestured toward two pull-down panels showing planes and buildings and smoke. “Probably a movie,” I shrugged and took my tray over to a table to watch. That omelet, those potatoes, and the carefully buttered toast grew cold and unwanted as I watched with dilated pupils and mouth agape a moment that changed the course of history.

Of course, when events occur that change lives, nations and entire lexicons, you hardly hear the warning bells right away. The enormity of shift that will follow isn’t always estimated accurately. Especially when you are a recently-turned 23-year-old who landed in the country with two bulging suitcases and a crock of naiveté. What I remember of the day is the not-so-flattering peach top I had worn with my jeans, a leaf pattern around the neckline. What I remember is running through the Bird library, to tell a family friend who had already heard. I remember being inundated with calls from folks in India, because nobody knew the difference between New York the city and the state—or maybe they didn’t care. I remember being in the World Trade Center, a mere three weeks earlier. I remember a picture taken in its foreground, young 20-somethings leaning into each other, laughing into the camera, unaware that this would be the last time we would see the twin towers standing.

 
You don’t need me to tell you that America changed that day, twelve years ago. Human anguish, horror and anger hit all life within a 1000-mile radius like a ton of bricks. Rhetoric and war and a decade long manhunt were only the most high-profile casualties of this emotional earthquake that equally crumbled bricks and the notions of security, terror and insularity. America darkened, its economy crashed, and against the backdrop of the nation’s struggles, my own newly-minted life in the country rode the crests and troughs of immigrant life. Industries creaked to a crawl, jobs grew scarce, and the then-President’s reaction to this atrocity bubbled over and scorched lands and people. Relatively cocooned in my student existence, grad school provided a buffer from the ugly realities of the next year. But there comes a time when the door is thrown open and you finally must walk.

The graduating class of 2002 walked out into a drastically changed reality—one of a tanked economy, financial uncertainty, and no warm welcome from a suddenly hostile America. Engineering students, fattened on stories of bulky sign-on bonuses and Silicon Valley embraces, felt like dethroned monarchs. Ph.D. candidates desperately delayed graduation for the next few years. Young people from India who never had to lift a finger in their lives were now grunting it out in food courts, temp jobs, and limited projects, the golden H1-B nowhere in sight. Many returned to their home countries. The ones with loans looked on in despair as ends simply refused to meet. America’s manpower loss, a small casualty in the face of the larger horror, was India and China’s gain.

Two years later, another war was announced. And I’ve always wondered how many rallied against it only for the havoc it would further wreak on their lives. Even as I traveled and worked and plodded along my own 20s journey of self-discovery, relationships and independent living, the rumble of 9/11 was never too far away. Millions before us were fed narratives of the American Dream, but we, those who arrived in the year of 9/11, saw the country at her naked worst—her breath craggy, her vision blurred, refracting her trauma on other innocents of the world.

I sometimes wonder how it must have felt, being part of the wave before that date seared in collective memory. To have known the tech boom, the easy green cards, the ubergenerous land of plenty. A country preceding brown skin hostility.  A time before I had to say my name, spell it out, and quickly share I wasn’t Muslim even to my fellow Indians, because my horns, you see, were simply waiting to burst from my skull if I happened to be one.

A dozen years later, as I write this from my serene couch in the heart of Silicon Valley, I marvel at how we survived—both America and I, on our respective but not discrete journeys. That we held on through the harsh times with resilience I didn’t know existed. That it is this country, and not the land of my birth, that has taken me on the ride of a lifetime—one I know is far from over yet.

Maybe we choose some of our difficulties. Or perhaps they choose us. We come out on the other side with battle wounds and weary spirits, but I live with the faith that I survived—and the hope that America, strange bedfellow in a stranger journey, will as well.

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A Month of Milestones

15 Jul

I’ve been terribly remiss about blogging (as is apparent, how clever of me to point it out!) and am going to blame it squarely on eustress: good stress caused by positive life changes, in this case a new job, a visit from family, travel, several celebrations, and the contradictory urge to romance my couch and see no one but my Boy.
With that long-winded excuse out of the way, let’s collectively acknowledge some fun milestones in this, the best of months:

  • July 1: A bloggy birthday! Wisdom Wears Neon Pyjamas turned 6 and I did nothing but blow my blog a kiss. Finally, I understand all those couples who have to halt a moment and calculate how many years they’ve been married. The ones whose limbs are extensions of each other and those who think in twos. Not-so-Little Blogette and I, we’re at that comfortable juncture. I love her like an old shoe. She knows I’ll be back. I’ve been coming back for 8 and a half years. But in the meanwhile, there are sparkly heels to be tried. Oh, and speaking of heels…..
You likey?

You likey?

  • July 7: On this day in 1994, a girl tapped my shoulder as I sat on a class bench in front of her. “Excuse me, are you OJ?” she asked. “No, I’m Janice!” I replied huffily, knowing full well that she knew my name. What didn’t penetrate my thick skull was that she was trying to start a conversation. A lesser mortal would’ve run for the hills. She, she came back, and for the last 20 years has been my dearest friend, soul sister, and rock of Gibraltar (no connection to the one I couldn’t visit!) Her name means “Jewel of the World” and my lord, how she has shone me through my darkest hours. We now know why we weren’t given sisters: having each other, a birth sister would be a mere appendage.
  • July 9: Daddy blew out a ring of candles on a cake brought by SOMEBODY ELSE. HMPH. That’s right, snatch cake-sending rights away from your first-born now. That dethroned monarch business just never ends. But my Daddy, he had a birthday, and oh how the world is wealthier because his goodness dwells in it! (Still throwing that corner tantrum, though. )
  • July 25: SO excited about this upcoming birthday, not only because hell-0, it’s a BIRTHDAY, what’s not to be excited about, but also because it is another important milestone. Champagne and cake all around! Would it be terribly inappropriate to wear a huge party hat, get one of those tooter horns and be my very own one-woman parade? No?! See, this is why I love you guys. :mrgreen:
Here, make do with the cake our SIL baked on July 4

Here, make do with the cake our SIL baked on July 4th

~

In Other News…
When the Boy’s brother got married last year, I heard a strange word for the first time: “co-sister”. Apparently, in the south of India, this term denotes women married to brothers. Being a similar combination of un-Southern and irreverent, my sister-in-law (the one of cake fame above) and I cracked up over the term, came up with instagram hashtags for it, invented a co-sister ghetto sign, and even harmonized “Hey sister, co-sister” (Lady Marmalade). Can you tell I love her? Will I be forever banned from kanjeevarams and mallige for this? *beats chest at the thought of no more bisibele bhaath in her life and eyes some Angus divinity in its place*

~
My 18-month-old niece called me this morning. She is currently visiting family in Texas, saw her mother’s phone lying around, found my contact on it, dialed, and chirped “Hi OJ Mami!” When my uterus finally un-puddles itself from the floor, I can’t wait to watch her in mid-toddlerhood-almost-preteen action.

~
We’ve been taking visiting friends and family to this Gujarati thali place that serves the most amazing shrikhand and khichdi, among other delicacies, but I won’t be going back for a bit, because the last time I had 5 helpings of khichdi and they started looking at me funny and avoiding my gaze and I’m mortified that I might have eaten them out of business. This redness of face isn’t rosacea, my friends, it’s ignominy.

How do you solve a problem like more khichdi?

How do you turn a seventh helping down?

How do you walk away from yummy khichdeeeeeeee?

Ignore the glutton, she’s just being a clown.

 

~
Swimming: I’ve been the resident hippo lately, breast-stroking gently through cool, turquoise waters on these warm summer days while our American neighbors wear toddler-sized swimwear, chug beers, burn themselves to a crisp, toss their hair and pose, and do everything but swim. Most puzzling, this behavior.

~
Books: Sindh: Stories From a Vanished Homeland, by Saaz Aggarwal, and To Marry An English Lord, by Gail MacColl and Carol McD Wallace. Both recommended for history buffs, albeit very different eras and geographies.

~
Heard in the OJ-Boy home:
Me: I think I’m getting food-averse. I don’t think I’m so interested in it anymore.
The Boy: Good. Now we can buy a house next year.

How large can I make the font for HMPH??? 😡

Adios, my friends, pardon my future busybeeness, although I will put up a recently-published article before the month is out and would love to hear your thoughts!

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Lizard’s Tail

25 Feb

It’s fascinating to watch the morphing of an entity that has been severed or disconnected from a larger part. Whether it is a country partitioned from its old composite avatar or a person who forsook their religion because of marriage, they seem to be propelled toward polarization, creating identities more extreme than otherwise necessary. This has happened, I chose this, now I must take a stand and be different, stand up for my act of separation, perhaps even justify it. Ignore the sameness. Ignore the city streets with approximately the same amounts of garbage, because there is a heightened sense of Another Religion in the air. Ignore how nothing has really changed about your food, your clothes, your very colloquial exclamations, because now you are Married Out.

While some are compelled to change, feel an obligation to become The Other, a few dig their heels in and stoutly choose to be driven by factors that prod us to take these steps. Still fewer others fling themselves between identities, but who likes the dissonance that produces? One over the other is easier, safer, infinitely more convenient than duality.

In the rarest of cases, it is a personal blessing for those who never really belonged to one space to begin with. A chance to seize the molding clay of circumstances and fashion from it at will. Those who say I will not be driven, pushed, compelled. Who acknowledge that many factors may change external situations, but we choose to renew our identities-or not. Even as I hear the constant drone of “change is ever-shifting” in the background, I am intrigued by the endless buffet of change, what whets its appetite, what platters we pick from, and the choices that fill our senses and identities, keeping us alive, moving us forward, nurturing stability, dulling our nerve endings into half-burying ourselves into the ground and sticking Velcro-like to the comfort of our original realities.

What do you fashion for yourself? Does your sky take on a different hue? What drives you to be still or shed layers? Do you see it as a necessity, inevitable, or a painful metamorphosis? When you throw off your tail, does your yoke get cast off with it? Or is it warmer to wrap a familiar milieu around your being and rock it close all the live long day?

I thrive between answers. So from the looks of it, I am in no tearing hurry to grab the nearest available one. Let me go arrange a bowl of flowers in the meantime. Nothing like petals and stems to dissipate a whorl of question marks. 🙂

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Play Review: Vande Mataram

19 Jun

When we moved to the San Francisco Bay Area two and a half years ago, our aunt introduced us to Naatak, a local theater and indie cinema company with a reputation for interesting productions, well-executed scripts, and great performances. Naatak’s plays, enacted in Hindi (mostly), English (sometimes), and Tamil (infrequently), with supertitles, have used the scripts—both original and adapted— of stalwarts such as Bhisham Sahni, Satyajit Ray, Vijay Tendulkar and Girish Karnad. The play in review, Vande Mataram, was written in 1997 by one of Naatak’s mainstays, Sujit Saraf. And if you’re wondering why I’m blathering on about the writing piece more than any other element, it is because this wonderful performance that we enjoyed this past weekend was the product of a strong, nuanced, beautifully written script that was satisfying and whetting in equal parts.

Vande Mataram opens the night before August 8, 1942. For those of you not familiar with the Indian freedom struggle, this date marks the launch of the Quit India movement. With Japan advancing rapidly and successfully through the countries east of India, and Britain’s increasing need for Indian military and resource support to fuel its WW II efforts, Indian leaders finally had a playing card and employed resistance and civil disobedience tactics to make the Empire take heed of their demands. It is here that the storyline departs from the black-and-white textbook version of history that would have us believe it was Gandhi vs. the British Raj, Independence vs. Colonialism, and Honor, Freedom and All Things Good vs. Exploitation, Repression and Popular Sub-continental Narratives.

Naatak picture

[Photo credit: My resident photographer, the one and wonlyderful Boy.]

Interestingly, the production whose byline reads “A play about greed, gunpowder and Gandhism” manages to skillfully remove Gandhi from center stage and relegate him to the footnotes. Based on the Keezhariyur bomb case in Kerala (erstwhile Malabar), it introduces us to a cast of characters that plot to blow up a bridge in Patna along the same lines and draws us into a web of their motivations, personal histories and politicking. Six men, each playing his part superbly, embody a motley crew of a Colorado-trained professor, a local Congress committee head, two Marwari businessmen (and feuding brothers), a restaurant owner and a former soldier-turned-bank-guard with “a chudail who dances in his head”. Together, they debate, squabble, negotiate, reminisce, manipulate, plot, re-plot and maneuver the circumstances to their individual viewpoints and advantage, and through their synergy, we are rapidly transported from a macro picture to a microcosm of their personal greed, ambition, humor, and failings. We relate. We associate. We recognize. Sitting in a darkened theater on a sunny California afternoon 70 years later, the audience identifies the common human denominators that bind us all, and it is to the scriptwriter and actors’ credit that they make it so easy.

Then there is the plot. Moving at a fair pace, this dialogue-heavy play never feels a minute too long, and with a well-timed interval, leaves one waiting for the second half. Will the plot succeed? Will they be caught? Will a difference be made to the freedom movement? In spite of knowing how it turned out, and witnessing the imperfections of its characters, Vande Mataram is a play that makes you root for them, their well-being, desires, and safety.

The Sanskritized Hindi is true to its period, which has us modern mortals glad for those English supertitles. The costumes are authentic, and the set is simple and effective. Not intended to be a high-cost endeavor, Naatak’s production is nonetheless neat, efficient and a job well done. This genre of theater is what they do best and would do well to focus on in the future.

The play leaves you pondering about the multiple layers of sentiment, motivation and issues that form a complex but never tedious package, and it is to the team’s credit that they do not aim to dumb down any of it. For so many of us fed a simplistic version of one true representative of the people versus the British Crown, it is a gentle reality check about the multiple voices and opinion streams of the period. It invites the audience to take from it what they will, at a level and depth they are comfortable with. For me, an idea that has me toying around with it in my head nearly a week down the line and likely to continue, is a worthy one.

Not your typical treatment of nationalism, this. Which, incidentally, is what makes it a winner.

Go watch it if you live in the Bay Area. I just got even gladder that I do. 🙂

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Seduction of Cities

3 Dec

Long before there was Sex and the City, urban landscapes unleashed their siren calls to populations, who, glazed-eyed and entranced, followed trails of grit and dust toward the lure of money, a life of relative anonymity and the opportunity to reconstruct their history. Cities, those giant sprawls of architecture, social alchemy and the human narrative, were levelers and dividers in equal measure; entities that made humans offer their sweat and spirit in return for bestowing on them the gratitude of belonging. Cities were power centers, hubs of every cog in the wheel of humanity, save perhaps, agriculture and animal husbandry, and legions of our race responded willingly, increasingly, and near-slavishly to the piper’s call, as the 19th century played host to this giant global phenomenon—the rise of the heterogeneous, indifferent-to-differences metropolis, where you were as worthy as your last contribution.

The world over, cities became shrines to human endeavor. To dreams, to plans, to architects of destiny.  Throbbing, expanded versions of village squares and coffee houses, they became repositories of social dialogue, justice movements, and battlegrounds for human rights. As decades hurtled forward, they turned into hubs of industry, agents of rewritten reality, organic farms of political thought and social sub-institutions. Cities, these nuclei of power and vibrancy, were only as strong as their denizens, and it is here that the human spirit rose to meet the challenge of morphing a maze of streets into megapolises of learning, expansion and culture.

Developing at different paces, cities found their niche. Their size and demand based on what they had to offer, cities became the textbook examples of macroeconomics and cultural anthropology. A majority of them operate in a blinding vortex of speed and urgency and the Next Big Thing. They pulse with things to do and targets to achieve. Entertainment is measured, pre-slotted, with chunks of time dispensed toward preserving sanity, lest existential angst get out of hand and run amok amidst our overloaded mental circuitry.

And yet, few complain. For the City is a charmer. A seductress. A deceiver. And we willingly succumb to its wiles for what it throws our way. In eliminating our uniqueness and personal history, the City invites us to belong. In disregarding our past and turning a blind eye to social strata, it allows us to blend in. It acts as Provider. Protector. Benefactor. With a dark and ugly side that we choose to take in our stride. It smiles non-committally when you call it Home. It shares its bounty ungrudgingly. To the winner go the spoils, and someday that might even be you. You can partake of its history and cloak it as your own. You believe in its script and mouth its lines earnestly. You are of its culture. Of its space. Of its zeitgeist. You give and receive and don’t keep score. You may be among its earliest settlers, or a train dropped you off  just yesterday, in a city, a sliver of space can always be yours, simply because you become that space, one of the headcount, you are, you exist, and living is not denied.

Without its montage, I cannot see my own existence, identify the entity that is me. Some may consider it a curse, but it is a trade-off I am extremely comfortable making. Without the City, I am contextless. Without the City, I am half a soul. Being born into the City and born of it, we are forged. For better or worse, richer or poorer, Home or half-spaces, without the City, there is no me. Cities distort the concept of Home. Wring it and hang it out to dry. You find it in yourself to belong to another. Fully in some, half-heartedly in others. Cities make your identity easy to whore. Today, it’s this one; tomorrow, another. Even amidst their extreme difference, you find yourself able to negotiate space and identity, and that is the ultimate gift of being of the City.

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Documentary Review: Family Album

24 Sep

I am delighted to have made Chabi Ghosh’s acquaintance. She died in 2008, at the age of 91, unaware of my existence, never having met nor heard of me. How then, do I know she played the piano, was part of her college basketball team after delivering 2 girls, and had a naughty sense of humor that belied her nonagenarian-ness? For this and other stories, portrayed with simplicity and charming reserve, I have Nishtha Jain’s ‘Family Album’ to thank.

A documentary that I watched yesterday as part of the San Francisco South Asian Film Festival, Family Album generously allows the intersection of photographs, memory and cross-generational stories rather than forcing their paths to collide, and what struck me long after I had finished watching, was how little the filmmaker injected herself or her agenda onto the frames, letting the subjects speak for their own histories. And that is precisely what photographs become, irrespective of what we wish them to be—chroniclers of history, crystallized pieces of time that hold individual yet shared versions of stories that become the truth, regardless of the fleeting reality of the moment.

Taking us back to Calcutta’s old families and ancient baris (and reducing me to a quivering mess at the sight of all that achingly beautiful history), Jain introduces the viewer to clans that traces their kinship back to 38 generations, interviews multiple generations of the same family, facilitates their reminiscing ever so gently and occasionally, and asks very relevant questions.  Do we become our photographic memories? How do frozen frames elicit stories, how do we hold on to and pass on these stories, and in becoming the repositories of familial myths, how do we perpetuate stories? With one brief view of a family tree that abruptly ends after records of double-digit generations, the camera silently contemplates the white sheet of paper and we feel the story seeping away.

You guys know I’m a sucker for history. The confluence of time, architecture and the human narrative intrigues me. But what you may not know is that photography holds a terribly special place in my heart, given that I was born to my first teacher of this beautiful art form and am married to someone who continues my education in the field. For this and the reasons listed above, ‘Family Album’, a companion piece of City of Photos, struck a deep, resonant chord, but even without the personal context, is a delicate and valuable contribution to the world of documentaries. Catch it if you can lay your hands on it sometime. I reckon you won’t forget Chabi Ghosh in a hurry.

~~~

Updated to add: I wrote to the director, sharing this review with her, and here is her response:

Dear OJ,

Thanks for taking out the time and sharing your thoughts about Family Album. A lovely review. Reading it means a lot to me as I couldn’t be there in SF to present my film.
Yes, Chobi Ghosh is so endearing and unforgettable. I loved her spirit. She was about 90 when we were shooting, she had a clear photographic memory of things from her distant past but her present memory was very short. She wouldn’t remember things we had talked about a few minutes ago. In a way she was in a happy state. She was a great storyteller, there are many more stories in the footage. Unfortunately I couldn’t put everything in the film.
You can buy the DVD of City of Photos by making a payment on www.paypal.com to raintreefilms@gmail.com. It costs USD 40 plus shipping cost USD 5. This DVD is for home use only.
Warmly,
Nishtha

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